Donizetti is the first composer whose work I have tried to tackle. My goal was and is to provide serviceable English versions of all of the 60-odd operas he composed during his 25 year productive career. Of course, as with all 18th- and 19th-century Italian opera, the archaic poetic language that characterizes the serious works takes some getting used to. For another, many of the earlier libretti written for Naples include a buffo bass character who sings in Neapolitan dialect. With that I do the best I can, but I’m sure there are things I will have misconstrued. I welcome corrections and suggestions. As elsewhere, I have tried to steer a course between strict literal interpretation and readability, erring on the side of the literal as I find it more useful for opera lovers who want to understand the Italian rather than just the gist. Consequently there is much that is stilted and awkward. That’s just the way it is.
Music Drama in a Prologue and Two Acts
Libretto by Felice Romani
Lyric Tragedy in Three Acts
Libretto by Felice Romani
Melodrama in Three Acts
Libretto by Jacopo Ferretti
Music Drama in Two Acts
Libretto by Jacopo Ferretti
Music Drama in Two Acts
Libretto by Felice Romani
Lyric Tragedy in Two Acts
Libretto by Giovanni Emanuele Bidéra
Lyric Tragedy in Three Acts
Libretto by Giuseppe Bardari
Lyric Tragedy in Three Acts
Libretto by Giovanni Emanuele Bidéra
Tragic Drama in Three Acts
Libretto by Salvatore Cammarano
After The Bride of Lammermoor by Sir Walter Scott
Lyric Tragedy in Three Parts
Libretto by Salvatore Cammarano